A Quiet Place Is a Loud Proclamation of Humanity's Greatest Virtues

A Quiet Place Is a Loud Proclamation of Humanity's Greatest Virtues
"...The film depicts the family in the “quaint traditionalism” of the “White American family,” as Damien Straker lays out in his review.
 It’s all too Norman Rockwell for him -- the holding of hands to “pray before eating” at the farmhouse, and the “slow dance” of a mother and father in love as they exist within desperate circumstances.
Straker also laments the “conventional gender roles” employed in the film. 
The father as the hunter, provider, and protector. 
The mother is cast in the role of the nurturer and the foundation of home life.
The left has a problem with this arrangement, because in challenges the gender-neutral world that they imagine exists.
...Then there’s the final straw for the left – the family’s reliance upon a gun. 
As Richard Brody writes in the New Yorker, the movie “disgorges its entire stifled and impacted ideological content” when Emily Blunt sobbingly asks of her husband, “Who are we if we can’t protect [our children]?”
Brody writes of his displeasure in “the rustic farmhouse” turning into a “visual fortress” where the “stash of firearms” is “the ultimate game changer, the ultimate and decisive defense against home intruders.”...
Read on!